1761The Firebird: 2. First Tableau. The Enchanted Garden Of KoscheiThe Stereo Years1:56
1762The Firebird: 3. First Tableau. Appearance Of The Firebird, Pursued By Prince IvanThe Stereo Years2:32
1763The Firebird: 4. First Tableau. Dance Of The FirebirdThe Stereo Years1:33
1764The Firebird: 5. First Tableau. Capture Of The Firebird By Prince IvanThe Stereo Years0:59
1765The Firebird: 6. First Tableau. Supplication Of The Firebird - Appearance Of The 13 Enchanted PrincessesThe Stereo Years7:51
1766The Firebird: 7. First Tableau. The Princesses' Game With The Golden Apple: ScherzoThe Stereo Years2:36
1767The Firebird: 8. First Tableau. Sudden Appearance Of Prince IvanThe Stereo Years2:40
1768The Firebird: 9. First Tableau. Khorovod (Round Dance) Of The PrincessesThe Stereo Years2:50
1769The Firebird: 10. First Tableau. Daybreak - Prince Ivan Penetrates Koschei's PalaceThe Stereo Years1:41
1770The Firebird: 11. First Tableau. Magic Carillon, Appearance Of Koschei's Monster Guardians, And Capture Of Prince Ivan - Arrival Of Koschei The Immortal - Dialogue Of Koschei And Prince Ivan - Intercession Of The Princesses - Appearance Of The FirebirdThe Stereo Years5:37
1771The Firebird: 12. First Tableau. Dance Of The Koschei's Retinue, Enchanted By The FirebirdThe Stereo Years0:53
1772The Firebird: 13. First Tableau. Infernal Dance Of All Koschei's Subjects -The Stereo Years4:58
1773The Firebird: 13. First Tableau. Lullaby Of The Firebird - Koschei's Awakening - Koschei's Death - Profound DarknessThe Stereo Years5:11
1774The Firebird: 14. Second Tableau. Disappearance Of Koschei's Palace And Magical Creations, Return To Life Of The Petrified Knights, General RejoicingThe Stereo Years3:23
1776Ansermet Rehearses The Firebird: “Everybody Take Three Bars Before 7”The Stereo Years9:05
1777Ansermet Rehearses The Firebird: “Figure 33, Bassoon And Bass Clarinet”The Stereo Years6:49
1778Ansermet Rehearses The Firebird: “From 74”The Stereo Years5:53
1779Ansermet Rehearses The Firebird: “Now, Everybody, 109”The Stereo Years8:50
1780Ansermet Rehearses The Firebird: “Again From 165”The Stereo Years5:51
1781Ansermet Rehearses The Firebird: “Play From 202”The Stereo Years6:54
1782“You All Speak A Language…” Music As LanguageThe Stereo Years3:26
1783“You Hear A Violinist…” The Perception Of Pitch: Pitch As Tonal PositionThe Stereo Years2:16
1784“On The Other Hand, The Ear Perceived The Successive Sounds…” The Birth Of MelodyThe Stereo Years2:15
1785“Now, In Nature, There Is Nothing That Propels The Sound From One Position To Another…” Melody And FeelingThe Stereo Years2:39
1786“What Goes Through The Creative Musician's Mind…” Feeling As “Affective Tension”The Stereo Years1:43
1787“But What Deceives Us, And What Makes Music So Mystifying, Is This…” Music As Feeling Brought Into Play In The Presence Of SoundThe Stereo Years2:43
1788“But Such Transitions Give Rise To Different Kinds Of Effective Tensions…” Extrovert Vs Introvert Tensions, Passive Vs Active TensionsThe Stereo Years3:38
1789Rhythm And Respiratory Cadence; Binary And Ternary Cadences. “The Fact That Melody Is An Incidence Of Feeling Will Now Make Clear To Us Why It Has A Rhythmic Structure…”The Stereo Years2:55
1790Rhythm And Respiratory Cadence; Binary And Ternary Cadences. “Thus Time In Music Is Cadential…”The Stereo Years2:48
1791Rhythm And Respiratory Cadence; Binary And Ternary Cadences. “Nut How Does Musical Feeling Constitute The Tonal World In Which It Is Able To Express Itself?…”The Stereo Years3:34
1792Rhythm And Respiratory Cadence; Binary And Ternary Cadences. “Thus, From Its Very Birth, Music Introduced The Musician Into A Structured Sound Space…”The Stereo Years2:29
1793Rhythm And Respiratory Cadence; Binary And Ternary Cadences. “The Movements If Fourth And Fifth Are The Mainsprings Of The Mvements Of Feeling…”The Stereo Years1:53
1794Rhythm And Respiratory Cadence; Binary And Ternary Cadences. “In The Age Of Monody, The Various Tonal Perspectives Were Termed Modes…”The Stereo Years4:00
1795Enharmonic Relations: Tonal Positions Vs Tonal Meaning; Modulation. “At This Point, The Relational Power Of Musical Auditory Consciousness Comes To A Halt…”The Stereo Years4:21
1796Enharmonic Relations: Tonal Positions Vs Tonal Meaning; Modulation. “The Major And Minor Chords Are Called Perfect…”The Stereo Years4:22
1797“I Have Been Concerned So Far Only With Melodic Or Harmonic Movements Of Tonal Duration…” Music As Continuous Discourse: Beethoven's Coriolan OvertureThe Stereo Years1:31
1798“Why Is The First Motif Sounded Three Times?…” Motifs, Repition And The Relation Of IdentityThe Stereo Years6:09
1799“I Have Said That At This Point We Are Due For Something New…” Repitition And VarietyThe Stereo Years4:12
1800“This Middle Section Has Transported Us Back To The Very Beginning Of The Overture…” Exposition, Commentary, Resolution, Music As DialecticThe Stereo Years6:22