Symphonic Suite From On The Waterfront: I. Andante (With Dignity) - Presto Barbaro
Symphonic Suite From On The Waterfront: Vi. A Tempo
Symphony No. 5 In C Minor, Op. 67: I. Allegro Con Brio
Symphony No. 5 In C Minor, Op. 67: Ii. Andante Con Moto
Scènes De Ballet: Pantomime
Fancy Free: V. Competition Scene
Three Dance Episodes From "On The Town": Iii. Times Square: 1944
The Rumble
Les titres de Leonard Bernstein (page 47)
Toutes les chansons de Leonard Bernstein : n°2301 à 2350
2301Musical Analysis (Bernstein On Schumann's Symphony No. 2): "To My Mind, Schumann Follows In This Tradition..."The 1953 American Decca Recordings1:48
2302Musical Analysis (Bernstein On Schumann's Symphony No. 2): "Now Let's Look At The Symphony Itself..." (1St Movement)The 1953 American Decca Recordings8:39
2303Musical Analysis (Bernstein On Schumann's Symphony No. 2): "And So We Have Arrived At The Allegro Section..." (1St Movement, Continued)The 1953 American Decca Recordings6:51
2304Musical Analysis (Bernstein On Schumann's Symphony No. 2): "In The Marvelous Scherzo That Follows..." (2Nd Movement)The 1953 American Decca Recordings4:49
2305Musical Analysis (Bernstein On Schumann's Symphony No. 2): "But Perhaps The Greatest Beauty...." (3Rd Movement)The 1953 American Decca Recordings7:31
2306Musical Analysis (Bernstein On Schumann's Symphony No. 2): "Even In The Final Movement...." (4Th Movement)The 1953 American Decca Recordings5:15
2307Musical Analysis (Bernstein On Brahms's Symphony No. 4): "Brahms' Fourth Symphony In E Minor Is Today ..." (4Th Movement., Opening Theme)The 1953 American Decca Recordings4:44
2308Musical Analysis (Bernstein On Brahms's Symphony No. 4): "Our Journey Begins Without Introduction..." (1St Movement)The 1953 American Decca Recordings5:15
2309Musical Analysis (Bernstein On Brahms's Symphony No. 4): "Do You See Now What A Symphonic Theme Is?" (1St Movement)The 1953 American Decca Recordings3:23
2310Musical Analysis (Bernstein On Brahms's Symphony No. 4): "Now, Think Of It - We Have So Far Only Had 44 Bars Of Music" (1St Movement)The 1953 American Decca Recordings5:47
2311Musical Analysis (Bernstein On Brahms's Symphony No. 4): "Here Is That Second Theme" (1St Movement)The 1953 American Decca Recordings2:41
2312Musical Analysis (Bernstein On Brahms's Symphony No. 4): "This Brings Us To The Development Section Proper" (1St Movement)The 1953 American Decca Recordings9:34
2313Musical Analysis (Bernstein On Brahms's Symphony No. 4): And Here We Are Back Home, Ready For The Rehearing Of The Exposition,..." (1St Movement)The 1953 American Decca Recordings2:16
2314Musical Analysis (Bernstein On Brahms's Symphony No. 4): "So We Arrive At The Coda" (1St Movement)The 1953 American Decca Recordings3:18
2315Musical Analysis (Bernstein On Brahms's Symphony No. 4): "Well, We Have Had A Microscopic Look At Symphonic Method" (1St Movement)The 1953 American Decca Recordings2:11
2316Musical Analysis (Bernstein On Tchaikovsky's Symphony No. 6): "Now There Is A Melody, A Pure Orchestral Song..." (1St Movement)The 1953 American Decca Recordings9:18
2317Musical Analysis (Bernstein On Tchaikovsky's Symphony No. 6): "Now The Development Section Erupts..." (1St Movement Continued)The 1953 American Decca Recordings1:58
2318Musical Analysis (Bernstein On Tchaikovsky's Symphony No. 6): "Now One Would Think That Tchaikovsky Had Really Exploited The Device Of Scales" (2Nd Movement)The 1953 American Decca Recordings1:56
2319Musical Analysis (Bernstein On Tchaikovsky's Symphony No. 6): "Jumping Now To The Famous Third Movement, The Great March..." (3Rd Movement)The 1953 American Decca Recordings1:50
2320Musical Analysis (Bernstein On Tchaikovsky's Symphony No. 6): "Perhaps The Most Admirable Example Of This Is To Be Found In The Wonderful Last Movement, ..." (4Th Movement)The 1953 American Decca Recordings3:40
2321Musical Analysis (Bernstein On Tchaikovsky's Symphony No. 6): "Now I Don't Want To Give You The Impression That Scales Are The Only Unifying Force In This Work"The 1953 American Decca Recordings6:01