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Classics Explained: Schubert Piano Quintet "Trout" (Written and Narrated by Jeremy Siepmann) - Franz Schubert

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Pochette de Classics Explained: Schubert Piano Quintet "Trout" (Written and Narrated by Jeremy Siepmann)
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Crédits

Artiste principal

Edition présentée

  • Région : Inconnue
  • Label : Naxos
  • Pistes : 126
  • Durée : 144min 29sec
  • Support : 2 CD
  • Code-barres : 9781843790181
  • Langue principale : Anglais

Playlist

126 titres sur 2 supportsDurée 144:29

  1. 1) 58 titres sur CD

    1. 1Introduction, Origins 1:39 
    2. 2Imagery, Analogy And The Shape Of The Things To Come; The Opening Flourish 1:50 
    3. 3The Unusual Presence Of The Double-Bass 0:54 
    4. 4A Palette Of Tone Colours And The Emergence Of A Theme 0:47 
    5. 5Trouble Getting Off The Ground, But The Key Is Not In Doubt. 0:49 
    6. 6Jumping The Queue: Schubert Takes A Lesson From Mozart. 1:33 
    7. 7Mozart Demonstrates A Traditional Transition. 0:33 
    8. 8Destination Clarified 0:07 
    9. 9Mozart Confirms Our Arrival. 0:08 
    10. 10A Schubertian Shocker From A Later Work 0:52 
    11. 11Rejoining The 'Trout', With A Reminder 0:27 
    12. 12The Piano Joins The Strings With Yet A Third Variant Of The Theme. 0:31 
    13. 13A Rhythmic Motto: The 'Triplet Motif' 1:26 
    14. 14We Get It Here. 0:17 
    15. 15We Get It There. 0:17 
    16. 16We Find It Everywhere, Even In The Double-Bass. 0:27 
    17. 17The Strings' Answer To The Piano's Opening Flourish 0:36 
    18. 18The Two-Part Structure Of The 'Answering Motif'... 0:24 
    19. 19...But Scarcely Ever The Same Way Twice 0:34 
    20. 20The Piano And Strings Now Share The Material For The First Time. 0:42 
    21. 21Conversation As The First Principle Of Chamber Music 0:43 
    22. 22Opening (Introductory) Section Heard Complete 1:01 
    23. 23The Violin And Double-Bass In Partnership 1:16 
    24. 24The Violin And Piano Swap Roles. 0:59 
    25. 25Transition To Second Main Theme; Triplets Now Everywhere 1:12 
    26. 26On The Threshold Of The New Theme 0:30 
    27. 27Second Main Theme (A 'Love Duet'), Shared By Cello And Viola 1:24 
    28. 28The Abandonment Of Octaves In The Piano Changes The Tone Colour. 1:07 
    29. 29A Surprising Change Of Tone And A Premonition 0:39 
    30. 30A Return To Lyricism, But The Cello Jumps The Gun 0:37 
    31. 31A Buoyant, Skipping New Theme Is Given To The Solo Piano. 0:36 
    32. 32Re-Entry Of The Strings As The Violin Takes Up The New Theme 0:25 
    33. 33A Transitional Theme, And Another Schubertian Key-Jump 1:33 
    34. 34We Sense The Imminent Arrival Of The Closing Theme. 1:31 
    35. 35A Sudden, Hushed Key-Change Introduces Part Two Of The Closing Theme. 0:40 
    36. 36The Exposition Comes To An End. 0:32 
    37. 37Cue To Complete Exposition 0:06 
    38. 38Music: Exposition Complete 4:09 
    39. 39Introduction To The Development; The Genetic Code Of 'Key' 7:20 
    40. 40The Contrasting Aural Properties Of Piano And Violin 1:03 
    41. 41The Ponderous Double-Bass Is Featured In The First Main Theme 0:49 
    42. 42The Strings Are Liberated From Servitude, But Are A Long Way From Home. 0:42 
    43. 43A Joyful Conversation And A Change Of Pace In The Piano 1:06 
    44. 44The Piano Takes The Melodic Lead Again. 0:31 
    45. 45A Conversation Between Violin And Piano Leads To The Exposition... 1:20 
    46. 46...But Schubert Gets It 'Wrong'. 1:35 
    47. 47Piano Quintet In A Major, D. 667 “Trout”: I. Allegro Vivace 9:09 
    48. 48Introduction To Second Movement 1:53 
    49. 49The Violin Now Takes Theme One. 0:29 
    50. 50The Piano Regains The Theme. 0:42 
    51. 51The Violin And Piano Round Off First Section With The New 'Closing' Theme. 0:35 
    52. 52A Major Change Of Tone: A Passing Cloud And A Dark New Key 1:19 
    53. 53The Piano Abandons Its Octaves, But Not Its Triplets, In The New 'Hungarian' Theme. 1:28 
    54. 54The Sun Returns With A New Theme, In Two Contrasting Parts. 1:21 
    55. 55An Evaporating Dialogue Between Violin And Piano 0:58 
    56. 56A Major Mood Change As Twilight Falls 1:12 
    57. 57Cue To Whole Movement 0:33 
    58. 58Piano Quintet In A Major, D. 667 “Trout”: Ii. Andante 7:30 

  2. 2) 68 titres sur CD

    1. 1Introduction To The Scherzo - And A Clear Four-Bar Phrase... 1:37 
    2. 2..."Answered" By Two Two-Bar Phrases 0:21 
    3. 3A Disconcerting "Echo" 1:02 
    4. 4Expectation, Frustration And Surprise 0:27 
    5. 5The Phrase Length Exands From Nine To Fourteen Bars 0:36 
    6. 6The Beginning Of The Second Half... 1:07 
    7. 7... Or Should It Go From G Minor To D Major? 0:08 
    8. 8Doubts Are Sown As The Tonality Becomes Elusive. 0:48 
    9. 9A Varied Reprise Of Part One, And The End Of The Scherzo Proper 0:33 
    10. 10A Conversational Start To The Trio Section 0:40 
    11. 11Another Schubertian Phrase Extension 0:25 
    12. 12Two Overlapping Phrases Add Up To A Single Theme. 0:22 
    13. 13The Piano Adds A Third Phrase To The Overlap. 0:32 
    14. 14The Overlaps Continue As The Key Drifts Downwads 0:36 
    15. 15Another Schubertian Key-Jump, Now To B Flat 0:45 
    16. 16A Dramatic Transformation Of Mood 0:52 
    17. 17Awakening From A Dream: The Main Theme's Return 0:51 
    18. 18Cue To Complete Scherzo 0:11 
    19. 19Piano Quintet In A Major, D. 667 “Trout”: Iii. Scherzo: Presto 3:52 
    20. 20Enter The Trout, At Last; A Meeting With The Original 0:30 
    21. 21Music: "Die Forelle" 1:59 
    22. 22Back To The Quintet: The Strings, Headed By The Violin, Introduce The Theme. 1:24 
    23. 23The First Variation 1:41 
    24. 24The Second Variation 1:14 
    25. 25The Third Variation 1:20 
    26. 26The Fourth Variation, Part One 1:33 
    27. 27The Fourth Variation, Part Two 0:57 
    28. 28The Fifth Variation 2:45 
    29. 29The Final Variation, Part One: Violin And Piano Alone Introduce The Theme 0:31 
    30. 30The Final Variation, Part Two: The Cello Takes The Tune. 0:25 
    31. 31The Final Variation, Part Three: Piano And Violin Return As A Duo... 0:25 
    32. 32The Final Variation, Part Four: ...As Do The Viola And Cello. 0:17 
    33. 33The Final Variation, Part Five: The Entire Ensemble Is Reunited. 0:39 
    34. 34Piano Quintet In A Major, D. 667 “Trout”: Iv. Thema With Variations: Andantino 7:09 
    35. 35Introduction To The Finale: Schubert As Wizard Of Repetition 2:17 
    36. 36Easily Overlooked: The Accompaniment From Cello And Double-Bass 0:36 
    37. 37Contrasts Of Timbre And Register 0:59 
    38. 38A Repetition, And Yet Not A Repetition 0:07 
    39. 39A Journey Begun; The Phenomenon Of Musical Gravity 0:22 
    40. 40The Journey Completed 0:16 
    41. 41The Source Of Musical Gravity 0:22 
    42. 42Music: Saint-Saens - The Carnival Of The Animals "The Pianists" 0:28 
    43. 43A Scale Of Shifting Tensions 0:49 
    44. 44Music: Beethoven, Symphony No. 1 (Finale) 0:37 
    45. 45Back To Schubert 0:39 
    46. 46The Piano Embellishes A Scalewise Descent. 0:18 
    47. 47A Retrospective Moment 0:33 
    48. 48Repetition More Apparent Then Real 1:02 
    49. 49A Taste Of Phrase Rhythm 1:26 
    50. 50Shifting Patterns Of Accentuation 0:27 
    51. 51The Section Reviewed 0:15 
    52. 52An Increasingly Sophisticated Texture As Parts Interact 0:46 
    53. 53More Phrase Rhythm 0:29 
    54. 54A Repetition From The Strings... 0:11 
    55. 55... And An Answer From The Piano 0:13 
    56. 56In Transition To The Secondary Key 0:51 
    57. 57The Origin Of The Second Theme 0:19 
    58. 58The Second Main Theme 0:38 
    59. 59The Closing Section Begins, With A Question Answered. 0:42 
    60. 60The Question Repeated, A Slightly Different Answer 0:28 
    61. 61First Theme Of Closing Section Reviewed 0:59 
    62. 62Remembrance Of Things Past 0:28 
    63. 63The Piano And Strings Argue Over The Harmony. 1:13 
    64. 64Emergence Of The Final Theme 0:24 
    65. 65An Unexpected Thunderstorm 0:51 
    66. 66The Sound Of Silence 1:29 
    67. 67Cue To Complete Finale 1:00 
    68. 68Piano Quintet In A Major, D. 667 “Trout”: V. Finale: Allegro Giusto 6:47